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Sleep, My Love

A 1948 film from Triangle Productions that was directed by Douglas Sirk. It's based on a novel by Leo Rosten.

Allison (played by Claudette Colrbet) wakes up in a train headed to Boston. Her confusion turns into panic. Last night, she'd gone to bed in her home in NYC. Now she's going somewhere with no idea how she got on the train or WHY her husband's gun is in her possession.

At the same time, her husband Richard (played by Don Ameche) has called the police to report Allison missing. But, just before the investigation gets going, she calls Richard from the train station. He sends her a plane ticket for her to return home . . .

I'm gonna be vague in order to keep the mystery of the plot under wraps.

FWIW, I'm not super familiar with Colbert's work outside of It Happened One Night, so my impression of her when I started watching this movie was v. incomplete. Like the rest of the cast, she does a decent job in her role as a devoted wife of a rich architect. To my utter lack of shock, I liked Robert Cummings as Bruce, a friend of a friend of Allison's. He rocks it in his role.

A special shoutout goes to Hazel Brooks as Daphne. First of all, she's gorgeous. Secondly, her voice is surprisingly deep. And that, combined with her glamourpuss aesthetic elevates her dialogue to a deliciously campy level. EVERY LINE SHE SAYS has this undercurrent of vampiness that I LOVED. I do wished the movie had been from her point of view cuz she was a lot of a lot.

This next thing is something that really surprised me abt the movie. Because there was a moment where Bruce and Allison go to Bruce's brother's wedding. His brother, Jimmie (played by Keye Luke) is Chinese American. The wedding is fully Chinese. As far as I could tell, I didn't see anyone in yellowface. FTR, I'm not Chinese, so take my lack of squickiness because I didn't pick up on any blatant or oblique racism against Chinese folks with a tiny grain of salt.

Douglas Sirk and Joseph A. Valentine, his cinematographer, KNEW what kind of movie they wanted to shoot. The majority of the film takes place in Allison and Richard's 3-story brownstone that has a gorgeous terrace. Throughout the movie, there's excellent use of SPACE. Frex, there were scenes where characters would be looking for someone who happened to be hiding up on the 3rd floor. Also some scenes of ppl going up and down the stairs that truly worked. There's a good sense of how tall and expansive the home is (which includes a conservatory.)

The story is okay. It's watchable.


Do I have any criticisms?

I have 3, but two of them are SPOILERS.
Again, keep in mind that I'm gonna spoil HUGE THINGS abt this film
SPOILER 1

By the end of the first 10 minutes, it was super clear that the main plot was one of intense gaslighting. NGL, that made me lose some interest in the movie a little.

SPOILER 2

The potential romance between Allison and Bruce was poorly handled.

OK, so iMO, Allison did love her husband, but it was more of the kind of love someone has for a friend. However, she'd only known Bruce for abt a week. And yet they not only had excellent chemistry but, whenever they talked, Allison would GLOW. She'd come alive regardless of the conversation topic. It legit didn't matter if it was the weather, food, his friends, etc cuz it was their INTERACTIONS that livens her up.

OFC, since she's married, though, the movie gets as close to the edge of the line that she'd have to cross into infidelity as it can get. By the end, Allison and Bruce as holding each other and it's super clear that they'll be together, but they had so much sparkage that it drove me nuts that they never kissed.


END OF SPOILERS

The third one has to do with Det. Sgt. Strake (played by Raymond Burr). As soon as he showed up, I perked the F up because he's one of my faves. Unfortch, he's deffo a background character who only pops in two scenes. :|


Do I recommend it?

I do . . . if you have an hour and a half ot kill? Some of the romantic aspects are much subtler than I'd generally liked and the mood was a bit uneven. It's online. I give it a 2.4 out of 5.


Queerness level

Zip.

HAH! Memory is still ticking over.

Nov. 18th, 2025 07:45 pm
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[personal profile] starwatcher
 

Ever since I can remember, I've had an amazing memory for song lyrics. (Wish my memory for other things was as good.) If I know a song well enough to sing along, and am reminded of it, I can recall the lyrics even after 40 years. It may take a few hours, or even a couple of days, for the memory to trickle back, but it usually does.

I subscribe to Politizoom, a liberal political blog. Every Sunday, the "Furkids" post an illustrated song -- you listen to the song while scrolling down the page to read the lyrics, each line accompanied by a cute animal picture.

This past Sunday, the song was A Thousand Years, by Christina Perri. I didn't recognize the artist (I'm woefully behind on contemporary music), but the title excited me -- I know that song! Only... no... no, I didn't. Big disappointment; it wasn't at all what I expected to hear.

My mind insisted that I knew a song with "a thousand years" in it, but the memory was so faint that I couldn't grab it. I did a search for "lyrics million years" and went through 15 pages of results. I found two or three other results for "million years" -- none of which stirred a spark of recognition -- but 99% of the results were the song from the Furkids' page.

Finally, as I was leaving Cindy's house this afternoon, I realized that the voice singing the song that I still couldn't remember was Eddy Arnold. That was enough. I opened my iTunes app, scanned down my list of Eddy Arnold songs, and there it was! The lyrics are actually "a million years," which aren't evident from the title -- Then You Can Tell Me Goodbye -- but as soon as I saw it, I knew. Vindicated!

Which isn't earth-shaking, even to me, but I'm very pleased I tracked it down.

 
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Apology for Murder

A 1945 movie from Sigmund Neufeld Productions that was directed by Sam Newfield. Based on Billy Wilder and Raymond Chandler's script for Double Indemnity AND the James M. Cain novel of the same name.

Kenny (played by Hugh Beaumont) is a hot shot journalist who tries to land a surprise interview with businessman Harvey (played by Russell Hicks). He's brushed off but, while trying to interview Harvey, Kenny meets Toni (played by Ann Savage), Harvey's wife.

They have a type of ~connection.

Soon enough, they start having an affair. One night, Toni brings up how beneficial it'd be to get rid of her husband . . .

If the story sounds VAGUELY FAMILIAR, it's cuz this is a v. condensed version of Double Indemnity. Only, like, at a lower budget. This movie is abt an hour and 4 mins long.

A generous way to think of this movie is as an hourlong episode of a TV anthology show. Comparing it to the original movie is deeply unfair.


Do I have any criticisms?

Because of its length, it jumps over a lot of the actual!plot. Frex, Kenny and Toni's affair happens super fast. There's no time for anything to develop.


Do I recommend it?

Yeah. It might be a movie that's not amazing, but it's also a blatant rip-off of a much better movie. AFAIK, it's available on Amazon Prime Video, but I'm also sure anyone can find it elsewhere online. I'm giving it a 2.7 out of 5.


Queerness level:

Nonexistent.
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Dead Reckoning

A 1947 movie from Columbia Pictures. Directed by John Cromwell. Script was by Stve Fisher and Oliver H.P. Garret from a story by Gerald Drayson Adams and Sidney Bidell.

Captain Warren "Rip" Murdock (played by Humphrey Bogart) and his bestie Sergeant Johnny Drake (played by William Prince) are enroute to Washington, D.C. from Paris under some mystery orders. Soon enough, though, they find out that Johnny will be awarded the Medal of Honor while Murdock will get the Distinguished Service Cross. Murdock is elated while Johnny is not quite vibing with all of that.

When their train makes a stop, Johnny uses the opportunity to run away. Murdock tells the army that he's gonna go after his BFF and bring him back. He decides to head on over to Gulf City, Johnny's hometown, and ends up getting a message from Johnny that they gotta talk. But Johnny never contacts him again . . .

Released a whole year after the triumph that was The Big Sleep, this is a pretty solid B-movie.

OFC, Bogart is THE star: he brings a realistic combination of world-weariness and hope for a better future that, combined with the superb dialogue, makes the film snap and crackle with energy. Most of the cast is really good as well.

The plot is convoluted enough to make it interesting w/o becoming too labyrinthine.


Do I have any criticisms?

Even though I think she's a good actress in most things, I couldn't quite rally behind Lizabeth Scott as Coral Chandler. Thing is, I'm not sure even Scott knew HOW to play her character. And so she was both femme fatale and heroine without making up her mind. Which makes me think that the role would've been a much better fit for someone else.

Interestingly enough, this seems to be the general sentiment as folks (even going back to 1947) felt, at best, lukewarm with her performance. *Hands*


Do I recommend it?

I do! Again, it's no The Big Sleep and Lizabeth Scott is no Lauren Baccall, but I was entertained. This movie is available for streaming on YouTube for FREE NINETY-NINE for the month of November IF you've got YT Premium, you'll be able to watch it w/o ads. I give it a 3.5 out of 5.


Queerness level:

There's a v. OJO line that Murdock tells another character abt his bond with Johnny that falls along the line of "he's the person I've loved the most."

Now, I wouldn't go as far as to say that the slash vibes are strong, BUT Murdock's devotion (in a manner of speaking) to Johnny does ring a little queer. IDK.


Le trailer

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Johnny O'Clock

A 1947 movie from J.E.M. Productions directed by Robert Rossen.

Johnny O'Clock (played by Dick Powell) co-runs a casino alongside Guido Marchettis (S.Thomas Gomez). He's a guy who knows all the angles, moves, scams, and whatnot. Harriet (played by Nina Foch), a hat-check girl, is someone Johnny's friendly with. She happens to be in a volatile relationship with crooked cop!Chuck Blayden (played by Jim Bannon).

Things get v. complicated when Blayden disappears and Harriet is found dead.

AND THEN, Nancy (played by Evelyn Keyes), Harriet's sister, shows up wanting answers. Not to mention the dangerous mess that is Nell (played by Ellen Drew), Guido's wife, who won't let Johnny go.

ON TOP OF ALL THAT, there's a cop named Koch (played by Lee J. Cobb) who keeps clashing with Johnny. (Personally, I got the feeling he was envious or jealous of him? #Unsure)

This is a CHAOTIC story, hahah. Everyone's acting is on deck. Dick Powell is someone who I first met in musicals, so it wasn't until much later that I discovered his noir movies. In this case, he plays the part really well. The film has extremely snappy dialogue, the kind that calls attention to itself. The artificiality of it all actually works; EVERYONE has at least two lines that are ridic witty.

It's a v. interesting noir.


Do I have any criticisms?

The story's kinda convoluted. There's the mystery of Harriet's death, the disappearance of the crooked cop, the mobster's wife who is obsessed with Johnny, and the viewer is never quite sure WHAT KIND OF CHARACTER Johnny actually is. OTOH, he's not a villain, but he's not an anti-hero either.

There's a scene where another character calls him out for being the type of person who not only will never pick a side, but who is also deeply selfish. And Johnny shrugs that character off. I do agree with that character's assessment of Johnny cuz, FWIW, you're never quite sure of his motivations. Even after finding out abt his background and how he ended up as a casino co-owner.

Finally, Powell has some chemistry with Evelyn Kayes (who I know as the wife in The Seven Year Itch movie with Marilyn Monroe.) But it's not strong enough.


Do I recommend it?

Sure. I had a good time watching it despite the jumbled plot and my ??? abt Johnny and Koch's motivations. I think you can watch it on Tubi (plus additional copies floating on YouTube.) Gonna give it a 2.9 out of 5


Queerness level:

None.


Le trailer

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The Amazing Mr. X (YouTube)

A 1948 horror noir from Eagle-Lion Films.

Christine (played by Lynn Bari) is a rich widow who believes that someone from the great beyond is trying to contact her. Janet, her sister (played by Cathy O'Donnell) repeatedly tells Christine that she's imagining things. They live in a big house by a cliff and the combination of the waves from the sea below and the wind results in strange noises.

However, Christine is not convinced. One night, she's walking down the beach, on her way to her boyfriend Martin's house (played by Richard Carlson) for dinner. She begins to hear the voices again. It puts her in a weird emotional moment. Just as she's starting to get a hold of herself, she runs into a guy named Alexis (played by Turhan Bey). This dude tells her that his powers led him to her and that he wants to help. He drops a few details abt her and her husband that he shouldn't know cuz he and Christine had never met before.

Afterwards, she asks Martin for a raincheck. After she calms down, he proposes to her. Once Martin leaves for his home, she begins to see and hear more stuff. She sits down with Janet and they agree to visit Alexis to see what he can do to help them.

A seance occurs…

This is an interesting movie in that it's half gothic horror and half film noir. There's the supernatural aspect including ghosts, seances, the idea of a love that goes beyond life and death, etc. Meanwhile, for the film noir, the main themes are obsession and fate. The cinematography (by John Alton) is moody AF.

All of the actors were fine (tho no one stood out for me.)


Do I have any criticisms?

Yeppers. I do feel that the story has uneven pacing after Christine and Alexis meet. Sometimes things take forever to happen, others things seem to speed up.

Even though this is mostly built as a film noir, IMO, it's more a gothic suspense movie. So I'm v. ??? as to why ppl keep bringing this movie up whenever someone asks for film noir recs. YMMV.


SPOILERS FOR THE ENDINGPerhaps I'm overthinking this, but I was disappointed by some aspects of the ending.

So the first half of the movie is abt Christine. But then, the plot jumps lanes and the focus shifts to another character all the way to the end. Which is odd. I wish the movie had been abt the other character to begin with.

Especially cuz I wanted some more info on Christine as the movie came into a close. She's been put thru the wringer psychologically speaking AND survives a truly dark moment. It's also hinted at (some 15-20 mins before the movie ends) that she's having suicidal ideations too. The rest of the characters don't seem concerned abt that? Given everything that happens to her, I don't see Christine having a happy ending.

IDK. It was unnerving cuz there's no closure to her character one way or another.



Do I recommend it?

#Unsure. It's not a bad movie, but I can't rec it as a full noir. So, I'm giving it a 2.1 out of 5.

Queerness level:

*Shakes head no*



Le trailer

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The Chase (YouTube)

A 1946 movie from Nero Films and directed by Arthur Ripley. It's based on the novel The Black Path of Fear by Cornell Woolrich.

The movie is abt Chuck Scott (played by Robert Cummings), a down on his luck WW2 veteran who, thru an act of kindness, ends up as the chauffeur for a Miami gangster called Eddie Roman (played by Steve Cochran). Now with a steady job and a place to live, Chuck is doing okay! That is, until he forms a bond with Lorna (played by Michèle Morgan)--who just happens to be Eddie's wife…

Actingwise, things are solid. Cummings and Peter Lorre (as Eddie's right hand man Gino) are good. Cochran plays his gangster role with this suave vibe who will turn violent in an instant. I like how he plays Eddie in a way that will unsettle viewers; he also has a v. magnetic persona.

Do I have any criticisms?

The plot feels like two movies in one (and not in a good way). With the first half being verrrrrry noirish as the suspense keeps building up. Then something happens that has the story change lanes in a way that made me MUPPET FACE at the screen.

Lorna as a character was uninteresting. I'm not sure if it was the direction or Morgan's own acting limits or what. She had a couple of good scenes with Cochran and then I'd be like "whatever, girl."


Do I recommend it?

I do as long as you accept that the movie will take a sharp turn. It's also only an hour and 30. I"m giving it a 2.1 out of 5. I didn't feel like I wasted my time watching it, but it's not one I'll rewatch any time soon or, like, ever.

Queerness level:

An argument can be made for Gino's closeness and protectiveness toward Eddie. At least, the way Lorre plays him. YMMV.


Le trailer

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